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Downloaded From www.AllSubs.org

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with the support of
the Cinematography Service

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the Russian Ministry
of Culture

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produced by 2-B-2 Studio
ENTERTAlNMENT

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Fyodor Mikhailovitch
Dostoevsky

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lDlOT

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Evgeni MlRONOV
As prince Muishkin

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Starring

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Vladimir MASHKOV

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Lidiya VELEZHEVA

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Olga Budina

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lnna CHURlKOVA

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Alexei PETRENKO

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Vladimir lLYlN

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Michael BOYARSKY

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Alexander LAZAREV

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Larisa MALEVANNAYA

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Maria KlSELYOVA

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Written and directed by
Vladimir BORTKO

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Photography by
Dmitri MASS

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Design by

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Vladimir SVETOZAROV
Marina NlKOLAYEVA

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Original music by
lgor KORNELYUK

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Producer
Valery TODORORVSKl

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Episode 10

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Epanchins were all at their estate
of Colmina now,

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about twenty miles or so
from St. Petersburg.

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And in point of fact
you must allow that they could hardly

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have stayed here, in the face of
your daily visits to their house,

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visits which you insisted upon making
in spite of their refusal to see you.

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Yes, quite so; you are quite right.
l wished to see Aglaya lvanovna.

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Oh, my dear fellow,
how could you permit all that

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to come about as it has?

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You really should have understood
how seriously she cared for you.

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She could not bear to share you
with another, and you could bring

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yourself to throw away
and shatter such a treasure!

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Yes, yes, you are quite right.
l was wrong.

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But as if that is enough!
You are to blame, and yet you

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persevere in evil-doing.

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Where was your christian heart,
all that time?

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You saw her face. Was she suffering
less than the other woman?

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How could you see her suffering
and allow it to continue?

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To this moment l don't know how
it all happened.

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l ran after Aglaya lvanovna,
but Nastasia Philipovna fell down in a faint,

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and since that day they won't
let me see Aglaya.

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lt's all the same, you ought
to have run after Aglaya

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though the other was fainting.

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Yes, yes, l ought, but l couldn't!
She would have died,

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she would have killed herself.
You don't know her.

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Tell me now, why am l not allowed
to see Aglaya?

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l should have cleared it all up.

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Neither of them kept
to the real point, you see.

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l could never explain what

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l mean to you,
but l think l could to Aglaya.

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Oh! my God, my God!
You spoke just now of Aglaya's face

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at the moment when she ran away.
Oh, my God! l remember it!

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- Come along, come along quick!
-Where to?

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- Come to Aglaya quick, quick!
- But l told you she is not at Pavlofsk.

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Oh, she'll understand!

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She would understand that all this
is not the point,

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not a bit the real point it is
quite foreign to the real question.

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How can it be foreign?
You are going to be married,

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Very well, then you are persisting
in your course.

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Are you going to marry her or not?

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Yes, l shall marry her, yes.

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- Then why is it 'not the point'?
- Oh, no, it is not the point,

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not a bit. lt makes no difference,
me marrying her ,it means nothing.

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How 'means nothing'?
You are talking nonsense, my friend.

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You are marrying the woman you love
in order to secure her happiness,

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and Aglaya sees and knows it.
How can you say that it's 'not the point'?

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Her happiness? Oh, no!

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l am only marrying her--well,
because she wished it.

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lt means nothing--it's all the same.
She would certainly have died.

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l see now that that marriage
with Rogojin was an insane idea.

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l understand all now that
l did not understand before;

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and, do you know, when those two
stood opposite to one another,

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l could not bear
Nastasia Philipovna's face!

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You must know, Evgenie Pavlovitch,
l have never told anyone

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before-not even Aglaya-that l cannot
bear Nastasia Philipovna's face.

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Even in the morning
when l saw her portrait,

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l'm AFRAlD of her face!

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-You are AFRAlD of it?
-Yes--she's mad!

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- Do you know this for certain?
-Yes, for certain--quite for certain, now!

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l have discovered it ABSOLUTELY
for certain, these last few days.

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What are you doing, then? You must be
marrying her solely out of FEAR, then!

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Perhaps you don't even love her?

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Oh, no; l love her with all my soul.
Why, she is a child!

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She's a child now-a real child.
Oh! you know nothing about it at all, l see.

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And are you assured, at the same time,
that you love Aglaya too?

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Yes--yes--oh; yes!

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How so? Do you want to
make out that you love them BOTH?

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Yes--yes--both! l do!

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Excuse me, prince, but think
what you are saying! Recollect yourself!

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Without Aglaya-l-l MUST see Aglaya!

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if Aglaya only knew all-l mean really,
REALLY all!

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Why cannot we ever know all about
another, especially when that other
has been guilty?

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has been guilty?

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But l don't know what l'm
talking about-l'm so confused.

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You pained me so dreadfully.

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Surely-surely Aglaya has not the
same expression now as she had

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at the moment when she ran away?

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Probably l am in fault
all round-l don't quite know how

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but l am in fault, no doubt.

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There is something else,

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but l cannot explain it to you,
Evgenie Pavlovitch. l have no words;

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but Aglaya will understand.
l have always believed Aglaya

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No, prince, she will not.

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Aglaya loved like a woman, like a human
being, not like an abstract spirit.

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Do you know what,
my poor prince?

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The most probable explanation
of the matter is that you never loved either

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the one or the other in reality.

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l don't know-perhaps you are right
in much that you have said,

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Evgenie Pavlovitch. You are very wise,
Evgenie Pavlovitch-oh!

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how my head is beginning to ache again!

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Come to her, quick--for God's sake, come!

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But l tell you she is not in Pavlofsk!

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She's in Colmina.

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Oh, come to Colmina, then!
Come-let us go at once!

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No-no, impossible!

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Look here l'll write a letter
take a letter for me!''

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No-no, prince; you must forgive me,
but l can't undertake any such commissions!

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-Whom do you see?
- Nothing. l only thought l...

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ls it Rogojin?

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Why-is he here?

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Yes, he's in church.

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l thought l caught sight of his eyes!

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But what of it! Why is he here?
Was he asked?

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Oh, dear, no!
Anyone can come in, you know.

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You must have the wedding in
St. Petersburg,

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instead of in the public
fashion contemplated, down here at

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Pavlofsk in the height of the season.

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Nastasia Philipovna desired to have it so.

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l won't drink!

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Thanks for the trust, prince.
For me it is an honour to be your best man.

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l had at first felt hostile towards the
project of this marriage.

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l had hoped to see the prince marry at
least a Princess de Rohan;

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but now l see that the prince's way
of thinking was ten times more noble

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than that of ''all the rest put together.

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l desired neither pomp nor wealth
nor honour, but only the truth!

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But all the common herd judge 'differently;
in the town, at the meetings, in the villas,

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l have even heard talk of getting up
a 'charivari' under the windows on

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the wedding-night. So if 'you have need
of the pistol' of an honest man, prince,

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l am ready to fire half a dozen shots
even before you rise from your nuptial couch!''

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No, no. lt is to much.

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- Do you like it?
-Yes.

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And this?

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And this.
All this suit you.

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Let them shout and whistle, if they dare!

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Go! You can not
see me before the wedding!

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What am l doing? What am l doing to you?

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Go back.

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Go back.

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Well, she isn't the first
in the world, nor the last.

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Mr. Keller come on.

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lt is time, Nastasia Philipovna.

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Please.

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Save me! Take me away,
anywhere you like, quick!

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-What?
- Go back.

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To the station, quick! lf you catch
the train you shall have another. Quick!

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Stop! Stop!

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l was afraid, but l hardly
thought it would come to this.

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However, in her state...

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Extraordinarily philosophically.

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Vera, knock at my door and wake me in time for the
first train to Petersburg next morning.

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l will.

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-And, please dont tell anyone.
- l wont.

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- Until tomorrow!
- Until tomorrow!

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-Whom do you want?
- Parfen Semionovitch.

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He is not in.

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At all events tell me whether
he slept at home last night,

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and whether he came alone?

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Was not Nastasia Philipovna
here with him, yesterday evening?

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l do not now.

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- Stop a minute! When will he come back?
- l don't know that either.

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00:21:07,165 --> 00:21:10,623
- ls Parfen Semionovitch at home?
-Yes.

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00:21:10,902 --> 00:21:13,530
-Why did they tell me he was not at home, then?
-Where did they tell you so,-at his door?

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No, at his mother's flat; l rang
at Parfen Semionovitch's door and nobody came.

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Well, he may have gone out. l can't tell.
Sometimes he takes the keys

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with him, and leaves the rooms
empty for two or three days.

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-Was Nastasia Philipovna with him?
- l don't know; she doesn't come often.

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l think l should have known if she had come.

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00:25:45,076 --> 00:25:49,410
Lef Nicolaievitch, my friend,
come along with me.

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l was waiting you, today.

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l was there.

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Why did you not ask for me at
my room if you were in the hotel?

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00:26:24,049 --> 00:26:26,916
- ls Nastasia Philipovna with you?
-Yes.

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00:26:27,886 --> 00:26:32,186
And was it you who looked out of the
window under the blind this morning?

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Look here, Lef Nicolaievitch,
you go straight on to the house;

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l shall walk on the other side.
See that we keep together.

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00:27:45,130 --> 00:27:48,930
Even the porter does not know
that l have come home now.

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00:27:52,904 --> 00:27:58,308
l told him, and told them at
my mother's too, that l was off to Pavlofsk.

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00:28:01,212 --> 00:28:03,180
We'll go in quietly and nobody will hear us.

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00:29:15,386 --> 00:29:24,260
When you rang the bell this morning
l thought it must be you. l went to the door

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on tip-toe and heard you talking
to the servant opposite.

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00:29:30,235 --> 00:29:33,227
l had told her before
that if anyone came and rang especially you

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00:29:35,039 --> 00:29:37,007
and l gave her your name,
she was not to tell about me.

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00:29:40,178 --> 00:29:48,085
Then l thought, what if he goes and
stands opposite and looks up,

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So l came to this very window,
looked out, and there you were

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00:29:57,295 --> 00:29:59,263
staring straight at me.

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00:30:02,033 --> 00:30:04,001
That's how it came about.

200
00:30:12,043 --> 00:30:15,342
Where is Nastasia Philipovna?

201
00:30:18,349 --> 00:30:20,317
She's here.

202
00:30:24,789 --> 00:30:26,757
Where?

203
00:30:27,559 --> 00:30:28,651
Come.

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00:31:23,882 --> 00:31:25,372
Sit down.

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00:31:44,736 --> 00:31:48,433
- Had you not better light a candle?
- No, l needn't.

206
00:31:51,376 --> 00:31:53,344
l knew you would be at that hotel.

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00:31:56,614 --> 00:32:03,110
As l entered the passage it struck
me that perhaps you were sitting

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00:32:03,288 --> 00:32:05,916
and waiting for me, just as
l was waiting foryou.

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00:32:21,339 --> 00:32:25,400
Rogojin, WHERE is Nastasia Philipovna?

210
00:32:28,880 --> 00:32:29,642
There.

211
00:32:33,251 --> 00:32:34,149
Asleep?

212
00:32:46,331 --> 00:32:56,639
Let's go in--but you
mustn't--well--let's go in.

213
00:33:15,326 --> 00:33:16,190
Go in.

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00:33:27,038 --> 00:33:29,006
lt's so dark.

215
00:33:30,308 --> 00:33:31,468
You can see quite enough.

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00:33:38,249 --> 00:33:43,653
- l can just see there's a bed.
- Go nearer.

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00:34:10,048 --> 00:34:12,016
- ls it you?
- Yes.

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00:34:39,077 --> 00:34:41,045
l see you are shuddering,
Lef Nicolaievitch

219
00:34:45,550 --> 00:34:54,686
l don't know what l shall do with you
Because, you know, if you were ill now,

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or anything, they might hear it in the yard, or even
in the street, and guess that someone

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was passing the night in the house.

222
00:35:05,503 --> 00:35:15,378
l am not at home.So that l want them
to not know we are spending the night here.

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00:35:20,351 --> 00:35:25,379
Wait. l asked both the porter and the
woman whether Nastasia Philipovna

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had spent last night in
the house; so they knew.

225
00:35:29,360 --> 00:35:31,328
No one knows she slept here.

226
00:35:34,398 --> 00:35:39,426
Last night we came in just as
carefully as you and l did today.

227
00:35:41,038 --> 00:35:44,337
l thought as l came along with her
that she would not like to creep

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in so secretly, but l was quite wrong.

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00:35:47,812 --> 00:35:50,679
She whispered, and walked on tip-toe;
she carried her skirt over her arm,

230
00:35:51,415 --> 00:35:54,009
so that it shouldn't rustle,
and she held up her finger at me

231
00:35:55,486 --> 00:36:00,423
on the stairs, so that l shouldn't
make a noise--it was you she was afraid of.

232
00:36:00,725 --> 00:36:02,693
Take me to your own house,
where you can hide me, and tomorrow

233
00:36:02,894 --> 00:36:04,862
we'll set off for Moscow.'
There she would go to Orel, she said.

234
00:36:06,097 --> 00:36:08,065
When she went to bed, she was
still talking about going to Orel.

235
00:36:09,000 --> 00:36:14,063
Wait! What do you
intend to do now, Parfen?

236
00:36:15,873 --> 00:36:20,901
Well, l'm afraid of you.
You shudder and tremble so.

237
00:36:24,649 --> 00:36:26,617
l'll take the cushions off all the sofas,
and lay them down on the floor,

238
00:36:28,586 --> 00:36:34,752
up against the curtain here--for you
and me--so that we shall be together.

239
00:36:59,050 --> 00:37:02,577
For if they come in and look about now,
you know, they'll find her,

240
00:37:04,188 --> 00:37:08,124
and they'll be asking me questions,
and l shall say l did it,

241
00:37:10,761 --> 00:37:15,494
So let her lie close to us
close to you and me.

242
00:37:16,867 --> 00:37:17,925
Yes, yes.

243
00:37:26,877 --> 00:37:29,175
So we will not say anything
about it, or let them take her away?

244
00:37:30,214 --> 00:37:32,182
Not for anything! No, no, no!

245
00:37:32,516 --> 00:37:36,577
So l had decided, my friend;
not to give her up to anyone.

246
00:37:39,523 --> 00:37:41,491
We'll be very quiet.

247
00:37:43,794 --> 00:37:47,924
lt is so hot.
Do you find it bad?

248
00:37:50,501 --> 00:37:55,200
l don't know perhaps
by morning it will be.

249
00:37:55,806 --> 00:37:57,774
l've covered her with oil-cloth--best
American oilcloth,

250
00:37:59,910 --> 00:38:01,878
and put the
sheet over that

251
00:38:02,513 --> 00:38:06,108
and four jars of disinfectant,
on account of the smell.

252
00:38:12,189 --> 00:38:17,024
And she's lying
so still; you shall see

253
00:38:33,844 --> 00:38:39,578
-What! can't you get up?
- My legs won't move, it's fear, l know.

254
00:38:39,950 --> 00:38:41,918
When my fear is over, l'll get up

255
00:38:42,620 --> 00:38:52,655
Wait a bit l'll make the bed,
and you can lie down.

256
00:38:53,564 --> 00:38:58,934
l'll lie down, too, and we'll listen
and watch, for l don't know yet what

257
00:38:59,570 --> 00:39:07,306
l shall do... l tell you beforehand,
so that you may be ready in case.

258
00:40:10,107 --> 00:40:16,205
lt's hot weather, you see and, naturally,
there will be a smell.

259
00:40:19,250 --> 00:40:28,784
l daren't open the window. My mother has
some beautiful flowers in pots;

260
00:40:36,133 --> 00:40:40,763
they have a delicious scent;
l thought of fetching them in,

261
00:40:43,908 --> 00:40:46,274
but that old servant will find
out, she's very inquisitive.

262
00:40:46,377 --> 00:40:47,742
Yes, she is inquisitive.

263
00:40:51,415 --> 00:40:59,914
Listen tell me how did
you with a knife? That same one?

264
00:41:02,693 --> 00:41:04,661
Yes, that same one.

265
00:41:08,132 --> 00:41:16,369
Wait a minute, l want to ask you
something else, Parfen; all sorts of things;

266
00:41:18,242 --> 00:41:25,410
but tell me first, did you intend to kill
her before my wedding

267
00:41:25,850 --> 00:41:29,445
at the church
door, with your knife?

268
00:41:33,123 --> 00:41:34,988
l don't know whether l did or not.

269
00:41:37,027 --> 00:41:39,757
Did you nevertake your
knife to Pavlofsk with you?

270
00:41:42,433 --> 00:41:43,991
No.

271
00:41:51,308 --> 00:41:55,836
As to the knife this is all l
can tell you about it.

272
00:41:57,114 --> 00:42:00,743
l took it out
of the locked drawerthis morning

273
00:42:01,819 --> 00:42:05,152
about three, for it was in the early
morning all this--happened.

274
00:42:05,356 --> 00:42:08,519
lt has been inside the book ever
since--and--and--this is what is

275
00:42:09,360 --> 00:42:16,266
such a marvel to me, the knife
only went in a couple of inches at most,

276
00:42:16,534 --> 00:42:20,971
just under her left breast,
and there wasn't more than half

277
00:42:21,071 --> 00:42:26,168
a tablespoonful of blood altogether, not more.

278
00:42:26,777 --> 00:42:29,075
Yes, yes, yes.
l know, l know, l've read of that

279
00:42:29,179 --> 00:42:31,147
sort of thing. Sometimes there isn't a
drop, if the blow goes straight to the heart.

280
00:42:34,418 --> 00:42:40,357
Wait-listen! Somebody's walking about,
do you hear? ln the hall.

281
00:42:51,902 --> 00:42:52,766
l hear.

282
00:42:56,807 --> 00:43:01,107
Shall we shut the door, and lock it, or not?
Yes, lock it.

283
00:43:58,902 --> 00:44:03,566
That officer, eh!--that young officer
don't you rememberthat fellow at the band?

284
00:44:04,041 --> 00:44:05,565
Eh? Ha, ha, ha! Didn't she whip him smartly, eh?

285
00:45:31,995 --> 00:45:35,294
One year later.
Switzerland.

286
00:45:41,371 --> 00:45:44,602
You can talk to him.

287
00:45:45,976 --> 00:45:47,944
Though hardly probable
he will understand you.

288
00:47:47,764 --> 00:47:51,723
Well to tell to you?

289
00:48:02,880 --> 00:48:04,848
Lebedeff, Gania,

290
00:48:06,116 --> 00:48:09,142
Ptitsin, Ptitsin, and many otherfriends of ours
continue to live as before.

291
00:48:13,257 --> 00:48:17,591
Rogojin suffered
from brain feverfortwo months.

292
00:48:18,128 --> 00:48:21,723
When he recovered from the attack. He was
convicted and condemned to hard labour in Siberia

293
00:48:21,899 --> 00:48:23,867
forfifteen years.

294
00:48:26,136 --> 00:48:28,263
Hippolyte died in great agitation.

295
00:48:30,140 --> 00:48:34,634
about a fortnight
after Nastasia Phiipovna's death.

296
00:48:38,148 --> 00:48:41,276
Colia became very thoughtful.

297
00:48:42,452 --> 00:48:45,853
He will make a useful and active man.

298
00:48:48,325 --> 00:48:52,728
The general works.

299
00:48:54,164 --> 00:48:56,132
Alexandra is with me.

300
00:48:56,833 --> 00:48:59,427
Adelaida has married.

301
00:49:00,170 --> 00:49:02,138
Live well.

302
00:49:03,173 --> 00:49:05,141
Can be will live better.

303
00:49:10,948 --> 00:49:13,348
Aglaya has married.

304
00:49:14,251 --> 00:49:16,811
the Polish prince of the emigrant.

305
00:49:16,954 --> 00:49:20,446
He turned out to be neither count nor exile.

306
00:49:21,191 --> 00:49:23,887
She joined a committee that had been organized
abroad to work for the restoration of Poland.

307
00:49:28,865 --> 00:49:32,232
Evgenie Pavlovitch has gone abroad.

308
00:49:32,469 --> 00:49:34,562
He speaks, that on long.

309
00:49:38,642 --> 00:49:41,839
Prince.

310
00:49:42,212 --> 00:49:44,339
Recover!

311
00:49:46,350 --> 00:49:48,545
and come back to Russia.

312
00:49:49,886 --> 00:49:51,854
Because all this is

313
00:49:55,292 --> 00:49:59,194
one imagination.

314
00:50:00,230 --> 00:50:04,599
And all the trash about 'going abroad' is simply
foolery, and it is mere foolery on our part to come.

315
00:50:07,337 --> 00:50:09,305
You'll live to agree with me yourself.

316
00:50:10,305 --> 00:50:20,305
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